do you sail?

The past few weeks I have been thinking of rowing.
There are two rivers nearby, large 
at this time of the year. 
There is much need to release and attempt to draw 
out into a clear line what has been repeatedly said.

I have stopped taking walks and will have to resume.
I no longer have my dogs.
I sleep and dream and wake up as though 
I haven't slept at all.

St. Patrick's may be a day with a reason.
Maybe one day we will happen to meet, you whiskey 
on hand, me, on the rocks.
And because I do not believe in therapists, 
I wrestle with own shadows,

Fill up the to-do list and bed with heaviness.
Sometimes the day begins with a clear mind
which means nothing and I come down to make tea,
which means coming through a number of doors 
that entering or exiting becomes uncertain.

sitting on the steps, leaving on a bike, at 10

There is a plausible reason why
women (may) tend to believe it is
they who are rejected.
The apparatuses of ideologies
repeatedly soak them so.
But long ago, before all these

we were ten and I said something
that had hurt you and I was sorry
and you wouldn't accept it,
refusing the popsicle offering
already starting to melt in my hand.
Sitting on the steps that summer

I learned who will always be
fearful; and suddenly fearful 
of my own discovery, I 

threw away the offering in anger.
The popsicle's sweetness 
melting away, its bone to the sun.

Was it my first desperation then?
The first grand show 
to the largest audience of one

whose magnificence I discovered
and feared. And she?
She wouldn't even look at me.

So at ten, I took my bike and
learned to leave in pompous glory.

jade

Carve out a hollow into your existence

You will find there is no difference 
between you and the American woman
who touched the Maneki-neko,
unashamed to ask for luck and fortune.

    outside the lonely shell of you car

You will overhear two colored women
tell each other organic food is luxury,
will read an unadorned student's poem
say thirty dollars a month for food.

                         through the steady pace of your feet

You will see the question is never too far, 
it is always here, no matter
the whitewashed porch and the flowers 
blooming quiet as if in peace.

                                       this blooming day of falling leaves

You will touch what is intangible, this
palpable need to fill in the hollowed out.
Not unlike how you felt as a child pouring sea
from cupped hands into the hole in the sand.

born not a woman

Should I be born again, I do not want
To be a woman.
She is capacity of the world and in it.
The weight of the sky
In her eyes

Even when she laughs and she smiles at you
Like you have given her the world,
You'd know you didn't, couldn't.
How she can carry 

Worlds and give birth to them, allowing
To take parts of herself she can
Not ever grow back.
Beside her what is a man

But an illusion of grandeur. Safely
Ignorant in this way, his sound deep 
Like a log hollow
Allowing him through all seasons

To stay afloat, surviving better
Ever on the surface, lacking depth.

nearly midnight

It seems to you there is a consistent hunger
In you somewhere you can neither point nor name.
Everything else appears alright.
Action movie on the cable, some mutated turtles

The kind you could have loved lifetimes ago
Now you place on mute and sleep through.
Its only redeeming quality, a young woman
Too beautiful only the young can believe

To be real. You would have preferred bio pics, 
Political conspiracies, the end of the world 
As is known, at least; these are familiar.
Closer to what you have come to believe.

And what do you believe? At eight, you had 
Your last faith in Santa Claus; at fourteen,
Fools' love. You wonder how some can go on
Dreaming of romance. Or world peace.

You remember someone saying to look at
Inevitable failure in the eye, exchanging
Blows with it anyway. A hopeless kind of talk,
Pessimism you do not subscribe to but

Remember anyway. The hero suffers in the movie.
You feel yourself pointing out refugees dying
In the next channel. And at the street, 
the stray dog scrawny and sick with open woods.

The three candles you lighted at the church
Of Saint Teresa saying god alone suffices.
You still believe. And you feel it--although
What it is, you no longer know. 

All news by the day growing more and more
Disturbing. Stranger than any tall story
About mutants or aliens. These kinds of movies.
This world. Growing more complicated to resolve.

The TV goes on without sound.
Your dog shifts at your feet. 
It, too, cannot sleep. Ever shameless
In trusting you, waiting for you again.

the flock, the flock

I no longer say "Bless me, Father
For I have sinned." I have left
A long time ago. Not anymore
The same child who read the bible
Every afternoon, cover to cover
For the stories of unbelievable
Faith for a beyond admirable man

Or god; in my life there 
Are stories in middle of stories
The ones I do not dare have light
Or air on them--for what use?
They are the silence between
My god and me. 

I have keep my peace with 
Men and women claiming closeness
To god whom they seem to know
Up close: we are entitled to
Our own brand of delusions. But
I do not say this, let them be.
My own is that god and I 

Are this: cosmos letting me be;
My own weakness leading me--
From time to time--to becoming
That same child again who
Has nothing but faith and fear

And faith: all to be good again.

frames of mind

I don't mean the flowers, I say, when I meant how the day was. We were at her little yard, a patch of grass trying to populate in spite lack of water and too much sun; it has a few herbs here and there, spots of turmeric and also what resembles dill. Not too long ago, I helped tend her basil. The jasmine tree, flowering this time of the year, has a series of firefly lights. Twinkling now and making mellow glows, making being in the yard feel it is those years again. Letting some part of the evening seem to wait for the sweet telltale scent of pot.  

She brings a dainty white pot of oolong tea; on her other hand, a book she is about to finish: about a man proving evil in the world. I am cynical about it: evil needs no proving; but keep peace anyway: she most likely is as cynical about poetry.

I think instead it is quite an evening. Remembering the time we had wine and talked--while embers used to grill the fish for dinner slowly turned to ash--about things forgotten now. What did we talk about?

This evening it is about a possible trip to C: the guide says white sand beach, waterfalls, springs. There again the pictures of sunsets, horizons and outrigger boats. In essence they mean leaving. I notice the slice of red watermelon on a plate placed on the table for me and the palm-size local papaya for her. I think about what I might not have for a long time soon. What we try not to talk about.

The slight headache I have had earlier returns. A breeze passes and the bamboo chimes on her doorway make their water sounds. I pet one of the dogs. It is quite an evening. I shove the rest of the papers and things to do in a full drawer in mind.

McKinley

1
What is in this country of struggle.

2
Y the German who, in the beginning
arrived merely to accompany the wife, 
now asks to stay another year. This.
This place no longer so terrible 
as once thought. There is a book

3 
Of poems in English & Spanish on my table.
A gift for them 
on their last Christmas here. This.

4
Why do we expect never to see each other again.

5
There is a Filipina who married a German.
And I want to try
to understand how they found each other
between two languages.
Y the German says are you leaving next year?

6
Yes.

7
Next year comes with many things
I try not to think when I come home at dusk,
when the dogs and I walk after dinner
and the night wind is crisp. 

8
So many to be left behind: such need pack light.
(She)
And the dogs (W the eldest, does she know
that these days when I pat her I say goodbye).
This, among others.

9
Dogs of this country cannot survive such cold.

10
Y the German says so very long. 
I do not continue the talk.
She and I barely talk 
of these things.
Y the German asks what about sex.

11
What is in this country of struggle.

12
Walking home dusks these days, 
I try to memorise the turmeric sky
and the shadow of a coconut tree. 
(And like a scene from a bad movie) I find myself
refusing to write.

a close kind of distance

What must one feel seeing you, beautiful
the pictures that mean your life in blossom, by sea.
With you the dogs, sun, yukelele. 
You on bare feet singing with the wind
orange skirt catching orange skies.
What must one feel seeing you, beautiful
in love, in life, in blossom, by sea

when one must say nothing
must say nothing
must say nothing.

gentle non-fiction

One type of genre I step back from is the personal essay. In spite of ideas such as fossilised written selves vis-à-vis transitory selves, the certainty and nuance of an elusive self migrating in space and time, the lies of protracted drama in the name of art, the unreliable "I", other beautiful and convincing arguments the many number of friends writing in the genre say, I remain a step away.

Non-fiction, no matter how gentle, how sincere, tells too much. A freshman's first draft of narrative essay tells how she was physically abused by a father, how she cried in the middle of a cornfield, thought of running away from home, decided to stay. Another draft of a Haiyan survivor's account.

Sometimes I pretend not to wrestle with the question why. 

No matter sometimes I feel something surfacing from the well of quiet to be written this way, in this genre of gentle sincerity. There, a lump in the throat. A remembering of something that is, perhaps, being slowly forgiven by the self within the self, in spite of the self.

And yet, I step away. Less courageous than a nine-year-old battered by her father at the cornfield.

some form of paradise

there are photos and memories and dreams
to keep close in pocket, in mind, in sleep
when one finally holds oneself 
grown and able, still
with fears no more
and no less than
a child's

photo by S. Kho Nervez

no words

I hear no words recently, between my ears the room
all open windows no sunlight no moonlight stay
they come leaving as they please

In their steads, I play music slow with steps
the kind that sways the shoulders in hazy waves

the romance of faith

Faith requires, as far as the romance of it goes,
A certain certainty: the blind seeing with his/her heart.
Such faith, such faith! When sober, I wonder.

But how many times in secret in deepest darkness
Did I return the call and listened for what answers. 

The Word

Jimmy once so aptly said it:
Brothers and Sisters of the Word.
We all agreed: the Word, sacred.

Sometimes, I say:
Writing is the Word
made Flesh.

But it has been a long, long while:
do I still believe? the Story

is just that: a story.
Even though sometimes

the child, afraid, calls 
out in the unknown dark.

exiles

That one has to drive two hours from the City of Angels to see stars
we all laugh about it, it being close to impossible where we are now
seated in the middle of an island still to be overtaken by what has
already covered cities of our past lives, stardust, blankets, bog
no one really wants to talk plain about in words brave enough not to balk
from one's own forgiving the things underneath, unspoken, hidden.  
A circle of us who ran away, who got away, are sorry to have left but are
not coming back, are lost but not asking, are abandoning, are making.
Here, no need to drive anywhere to or walk away from but the moving
is constant anyway, from shadows real or of our own making.

And, lovely, learn by going where to go

Bright early morning drizzle, a brown mug of freshly brewed local coffee, papers on desk by an open window.  Somewhere in the corner of the front yard, the planted tomatoes are sprouting.  Until the time to go to the still bustling city that tries to keep itself still, to take the morning slow...

The Waking

by Theodore Roethke

I wake to sleep, and take my waking slow.   

I feel my fate in what I cannot fear.   

I learn by going where I have to go.

We think by feeling. What is there to know?   

I hear my being dance from ear to ear.   

I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?   

God bless the Ground!   I shall walk softly there,   

And learn by going where I have to go.

Light takes the Tree; but who can tell us how?   

The lowly worm climbs up a winding stair;   

I wake to sleep, and take my waking slow.

Great Nature has another thing to do   

To you and me; so take the lively air,   

And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.   

What falls away is always. And is near.   

I wake to sleep, and take my waking slow.   

I learn by going where I have to go.

The Patience of Ordinary Things

The Patience of Ordinary Things
by Pat Schneider

 

It is kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they're supposed to be.
I've been thnking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back
And the lovely repetition of stairs.
And what is more generous than a window?

folded in wind

some places are no longer the same.
the wind blows.
and the appearances say nothing.
all else are the same.

what draws the line between spaces?
one point to another.
past or present, here or there.
all else are the same.

there are erasures in time.  in space.
only the mind that bears knows.
the bearer and the burden.
all else are the same.

what can be done with traces?
that this pair of shoes is most likely
similar to what was once known.
all else are the same.

no one speaks anymore, weighed
down by the weight of explanations.
a ball lies at the center.
and no one dares to look

although some child 
within wants
to answer the beckon.
all else remain the same.

that, too, does not have a name

The sky is the frosted kind of grey.  I do not get up from bed.  She planted a kiss before she left and now is gone.  Something urgent on email.  A large plane can be heard leaving for somewhere.  The calendar is full on the days to come.  But I want to slow down, to pause, to stop momentarily.  To wake again when it is bright and some part of my soul is ready.  There is a worm somewhere inside.  It manifests itself in the plants.  A part of a row in the garden died seemingly overnight.  She noticed this at the doorstep.  I hadn't even known.  The last I saw the entire row was green.  How did they wither and die?  The sturdy tropical green cuttings of which I do not even know the name?  The grass by them are dry and dead too.  What about the soil?  I am too tired to check.  I go back to bed and nurse something that, too, does not have a name.  A kind of wariness.  Is it fatigue?  A kind of passive-aggressive stress finally manifesting itself?

father's eyes

tonight the dark sky murmurs thunder.
sometimes there is a brief light.
my brother-in-law asked 
me this afternoon, was i not coming 
to family dinner.  i said no
while helping load his truck
some things i was sending away.
i have been away too often too long
lately, i need quiet alone in the garden.
hours later, staying in with the dogs
and watching massacre in a game
of thrones, i remember the day.

and maybe it is good i did not come
for dinner.  some things are better
unresolved.  best unremembered, 
even though not forgotten.  these days,
in spite of trying, i am becoming
in a number of ways like the man.