Winds blow and leaves

A document arrived this morning.
I was on my way out, I decided to leave 
the large envelope in the living room.
I was supposed to have a daylight-day:
somewhere off the desk, 
a table outdoors finally. With a book
to mean nothing else but joy.
Shoes without socks, ripped jeans, an apple.
But something else always happens, the way
things, unexpected, do.
I returned the book unread,
the apple without a bite. I returned
hungry and angry

receiving another unhappy news.
When will things go away? I want to go away.
But the winds blow and leaves 
stay on the branches.

the wall is thin

At the conference this morning, an independent researcher
reads her paper about nostalgia and peoples in transit.
She says "doors" to answer in an ambiguous way a question
from the audience; she describes as doors the door 
of airplanes that, like magic, one comes through to places;
also the screen of phones like doors.
My friend J- is having a depression and is remembering
all the people who used to read poetry with him; they are 
all either dead or have gone away. He repeatedly says

come over the house for dinner, but that last time his wife
casually says "I have no friends", repeating it as she leans 
on the doorframe. It troubles me to this day.
What can a person say to someone well past his fifties
with two children not yet even of school age? There are
children in the news feeds, children from far away, dying.
The graduate student who, during consultation, repeatedly

say how she did her work she did her work she did 
her best, her work
was truly only navel gazing 
at her own miseries. Sometimes it angers me

but only because I have been to countries of bone dry misery.
Where people do not have rooms for pathologized miseries, 
caught as they were in systemic and vicious precarity.
It troubles me to this day, how I cannot say
stop it

because I have no right to; because I, too, am flawed with
my own miseries, trifling in the larger scheme of things.
What can I say that will be of interest to you?
When I come home and open the door and see you, beautiful 
calves, legs stretched comfortably while your feet rest 
on the table after a long day at work, your attention now 
on a book, your long braided hair, what is there to say?

I hope there will be no need of words. I will 
fall on the space beside you, a door, a sigh,
so at last there will be no need of words.

be careful of adventures

Be careful of adventures. The point is 
not always the going but the be-coming 
something else, familiar and not. 
The change, something that will happen, 
that has happened, within. We will not

be ever the same again, as the river
is crossed, as the day has ended.
As we have entered the wilderness
of love or of loneliness--the being
that was once our old selves suddenly

turning to be so much younger, so much 
a believer than we have finally become
here on the other side. 

light

The conversation tonight was about light. How temporal it is. Like body, like breath. Like how two people meet. Living, and then, also, leaving. Both. Always happening at the same time. This mad provision 

we call here, now, what exists, merely passing in time & space, brushing, lingering, lingered, in transit, a longing, through the vastness this presence, phenomenon, is-ness, then gone, to where? from where? extending, to nowhere, elsewhere, liminal, between, nuance, distance, distances, horizon, eternal.
The commonest road has no name. It is a road that is not a road. It is light. That stretches. A beam, a bridge, crossing, reaching us at the selvedges, where we are on the folds of happenstance, wrinkle in space, in time, breathing each other, are you there? am i there? here i am. here you are.

archive

Three nights ago, exactly, I dreamed 
the woman from five years ago 
whom I've lost to Germany, married 

to a man my jealousy--
    how it shames me to myself 
    that one word over which anger 
    appears more dignified or honorable--

could easily stain undesirable,
something I nonetheless do not do.
Knowing it is my own ego

at fault and not the man himself 
who, on an even keel, I hope would
love her more than she does herself,

which is really another way of saying
more than I had, could.
Three nights ago, exactly, I dreamed

her, with a face I have never ever seen
before but still easily recognized
in the way of those eyes, those cheekbones,

those lips, and arms, and the very is-ness
of her. In the dream, she has grown
more toned, stronger in the way I have

no knowing whether it is out of brokenness
or something finally better. Knowing only
how it was so long ago since 

her dancing was a way to
punish her own body, wring out and into it 
the pain of her psyche:

The weight of words, she called it.
One day, she said, you'll never 
see me again... Three nights ago, exactly,

I saw her again in the dream:
the toned muscles, the scent of her,
"air ballet" I thought,

all that cloth, and all that wringing,
lifting as though made light
the weight of being.

Was she happy? I could not ask
in the dream, our faces were so close.
We could kiss, were about to, would

kiss I do not remember upon waking.
Only the recurring sense, as always,
that I had a chance and I chose

to lose it.

Do not give up on poetry

because sometimes it is so much easier to
start the car and drive it
than walk to the station for the bus.
What are the ways we meet others?

On the street the car is parked by a tree.
There is a squirrel, a tabby can pass by.
I do not think of the deluge 

of work that knows I do not forget.
There is an opera next month
and the leaves are turning.
What moves us?

And does poetry matter when a mother looks
at her son in a real and palpable world?

"And what did I know, what did I know
of love's austere and lonely offices?"






lines from Robert Hayden

(no essays) a long goodbye 4

In time, I will give in, finally
Into the overwhelming lake of words
Into the river of words flowing
Into sea, and eventually
Into the ocean of forgetfulness.

The reader (the world) (you) becomes 
Finally my faceless intimate friend
Sitting beside me on the cliff
Overlooking mists of distance,
Pasts, dreams, futures... our feet

Dangling on the edge and the sky
Forever with a silver still sun.
And I will tell in the way my father
Once told of his childhood stories,
My own childhood, misty with disuse

And untelling, kept too long in a room
Within a room, within a room barred
By hardwood door, by steel door, 
By brick wall meant as much to conceal
As to say, "Move on. It is done here."

Beside the wall, sometimes a table.
On the table, flowers from the yard.
By the flowers, tea.
Sometimes, beside the wall, a bed.
I knock on the wall. And sometimes

Tell a memory in that exact way
Telling fails to tell all the details:
Exact hue of the afternoon, exact
Feeling of the felt at the bottom
Of a chess piece I was playing,

Learning consequences and consequences
Long before a single move is made.
How did my own father failed to see?
He taught me the game. "Pensar. 
Pensar." Can a child see futures

When a decision is made? I inherited
Many things from my father, I'm afraid.
Including the older face on the mirror.
The same face my lovers see 
At night, in the morning, when I think

I am alone, placing palms on the wall 
Holding the flood of words into 
Becoming few and fewer still.  

where stars are

Soon, he knows, he will start writing about stars
the sky being a single dome under where they all are.
Not very original, in the same way at one time
someone wrote it is the same sea where they were
wading their feet together merely few hundred miles apart.
He doubts writing about stars would help.
He doubts poetry helps.
Suspicious of words now, finding them out
self-entitled ants proclaiming able to make anything 
better: soul, world, future. Who listens to them, poets?
The heart has finer than fine a multitude of strings

Does poetry even matter against the literal onslaughts
to the body? Real bills, real houselessness, real hunger.
He doubts poetry;
doubts himself, a fool.
But the stars were, are, will still be there. Themselves
mocking the ephemeral fears of his temporal body.

When memory is long

it is more difficult to forgive. I remember
the exact words you said 
inside the room 
where all the words we hurled at each other
lay with the shards of glass and mirror

remains of china, frames, memorabilia
what you wore and the colour of the sheets
the sound of begging
and finality, that immovable self-possessed weight.

The stolid words, once arrived, stay
no matter you sweep them with many vacations,
drowning them in tropical seas of laughter
into a forgetfulness; the words know

how to breathe darkly in subterranean waters
finding their labyrinthine way, resurfacing
as beasts of reason
for disbelief and anger 

unfaithfulness. 
You and I do not mention 

the lock is broken and I wonder why 
it cannot be said in plain words.
What we choose not to understand.
How memory gets in the way.
A hallway, a strait. You and I, different shores.

Dear friend with a spindle,

How do you do? I woke up sweating in an hour-less dark 
from last night's sleep from a dream I cannot tell about.
Better to say it was a dream of elephants, pink flamingoes
than others; it was humid in spite of the opened windows

Outlines of plane trees visible in the bright but waning
moon; the few days ago spent at a cove aptly named 
"Hidden" (in English, of course) by well-meaning locals. 
My tan darker now. My weeks here more less than more,

No matter I try not to count. Still, a few days before 
I had finally sent the latest collection of poems 
delayed at least half a year because-- 
A translation work and the editing of an anthology sat 

Beside me nights at the cove where I listened to the sound
of tide coming in and daybreak arriving; and watched locals
searching for seaweed and clams and other shells to eat.
A thirty-one year old woman with seven children 

Gave me a local story (the usual, all hearsay and no ending)
with an oil massage. I had slept in dreamless peace. 
The next day she sold fish from her neighbour's catch
and unripe mangoes from her neighbour's yard. 

It has been awhile since I've had a woman; this is such 
a sexist thing to say and I do not say it to anyone.
Like a sin meant for confession. To which I account
the restlessness. Do women also feel the same way? 

There was a poetry book launch and a literary gathering,
all fairly recently; another one tomorrow by a writer
in a local tongue I have come to love in spite of things--
such as not fully understanding it. The book am reading now

Is Atwood, a collection of her stories on inner lives (or 
tumult?) of women and their placid surfaces; their words
ballet dancers on tiptoes onstage. I find no words 
right enough for women. Again, must be a thing to say.

I am tired and my defences from my own self are down.
(You must be reading between the lines now.) 
I still continue to walk the dogs days and nights, though
I have ceased to run. One might say that in a way, 

I am sad (although it is hard to certainly say). Determine 
a more apt word when a month is now named on the calendar.
There is a net in my mind for catching sadness 
before it arrives, no matter it is visible from the shore.

My eldest dog has become more affectionate and I wonder
if it knows the leaving that is coming soon. Perhaps, 
this is only projection, as nearly everything else perceived.
At night, I memorise the humidity and the outlines made

By shadows and warmth. Her beautiful brown skin too,
the scent of it without perfume. I sense, as in any story,
there will be love making soon in the same wild abandon 
we used to do but--

the space between cities

The space between cities is a body of distance
hardly translatable into a map we can pretend
able to transverse by way of roads and rails,
ports and piers cohering so-called boundaries

of what is there and here and then and now as
east and west and north and south referring to
sun and wind and seasons, the way we attempt
landmarking passages if only to remember all 

places we've been, also those never been to 
except heard by name or gestured at in story.
The space between is body of distance, tunnel
lighted dimly: memory and dream, both palpable

to skin, real enough to hear the laugh from
a mind's photograph of one's own ageless self 
in a moment everlasting. Who else is there?
an entire library of snapshots handwritten in

cursive with names, some clearer than others, 
invoked often as bridges over which one's own 
mind and body travels, loop of a map a place
only in river-spaces crossing between cities.

nearly midnight

It seems to you there is a consistent hunger
In you somewhere you can neither point nor name.
Everything else appears alright.
Action movie on the cable, some mutated turtles

The kind you could have loved lifetimes ago
Now you place on mute and sleep through.
Its only redeeming quality, a young woman
Too beautiful only the young can believe

To be real. You would have preferred bio pics, 
Political conspiracies, the end of the world 
As is known, at least; these are familiar.
Closer to what you have come to believe.

And what do you believe? At eight, you had 
Your last faith in Santa Claus; at fourteen,
Fools' love. You wonder how some can go on
Dreaming of romance. Or world peace.

You remember someone saying to look at
Inevitable failure in the eye, exchanging
Blows with it anyway. A hopeless kind of talk,
Pessimism you do not subscribe to but

Remember anyway. The hero suffers in the movie.
You feel yourself pointing out refugees dying
In the next channel. And at the street, 
the stray dog scrawny and sick with open woods.

The three candles you lighted at the church
Of Saint Teresa saying god alone suffices.
You still believe. And you feel it--although
What it is, you no longer know. 

All news by the day growing more and more
Disturbing. Stranger than any tall story
About mutants or aliens. These kinds of movies.
This world. Growing more complicated to resolve.

The TV goes on without sound.
Your dog shifts at your feet. 
It, too, cannot sleep. Ever shameless
In trusting you, waiting for you again.

gentle non-fiction

One type of genre I step back from is the personal essay. In spite of ideas such as fossilised written selves vis-à-vis transitory selves, the certainty and nuance of an elusive self migrating in space and time, the lies of protracted drama in the name of art, the unreliable "I", other beautiful and convincing arguments the many number of friends writing in the genre say, I remain a step away.

Non-fiction, no matter how gentle, how sincere, tells too much. A freshman's first draft of narrative essay tells how she was physically abused by a father, how she cried in the middle of a cornfield, thought of running away from home, decided to stay. Another draft of a Haiyan survivor's account.

Sometimes I pretend not to wrestle with the question why. 

No matter sometimes I feel something surfacing from the well of quiet to be written this way, in this genre of gentle sincerity. There, a lump in the throat. A remembering of something that is, perhaps, being slowly forgiven by the self within the self, in spite of the self.

And yet, I step away. Less courageous than a nine-year-old battered by her father at the cornfield.

after the party is better

After the party is better
at night when only empty glasses
remain crowding together
on tables being cleared

There, a few careless stains 
on tablecloths for what spilled
and broke of so much cheer

The band is done
all dancing, too, as guests 
gone
memory of a good night:

waiters making sounds
stacking plates etc. minutes.
They too, very soon gone.

How much conversation
is left, is to go on--is how much 
night we have left.

I think I will prefer now
after a brunch party

Still sunny, we still
can have rest of the day 
together yet. 
                  

                                     photo by A. Schneidt

this, now, only

The marvel of seeing you

always the first time 

every moment, knowing

we will never again pass

this same way 

as the same persons again.

the things we do to roll the stone of the world

1
To roll the stone up the mountaintop, only
having it roll back, to start again. Do you
sometimes feel this old? Bones, body
weathered as stone, faith broken like a horse

learned of certain gain, loss. No longer having
child's eyes even if you cling on to wonder.

2
Yesterday, sitting at the back during a vision-
presentation; and later, in a conference 
by activists: the things done to roll the stone
of the world. To where we hope a better place. 
(Sometimes it takes twice as much to keep on

believing). We do anyway; like the stranger
who introduced himself and shook my hand.

3
And courageous, asked "Will you take a look
at my poems, tell me your thoughts. 
I've shown them to no one else." Such trust.
Such honor to be given it. No matter the poems

were bad; there is always enough gentleness.
Aren't attempts half the success itself?

4
I wrote T a very long letter last night while
I was high, with an explicit apology: "Let me
say these before my short sentences surface."
I meant sober where sober meant quiet.
This morning, I dare not open the sent emails.

Because T is afraid of permanence (and I
never asked why) and I give thoughts bodies

5
of perceivable, tangible form. No plant in pot;
all of them on ground. Rhodora, fierce

woman, I met her again a week ago, gone
the sharpness into gentleness of the weary.
Retired after warring ideologies for sixty years.

6
All these slow march of protests towards that.
Even though we might carry no banner.
The things we do to roll the stone of the world.

I kissed her last night after making love.
The soft lights showing gentleness--

that which makes us keep on 
rolling stone of the world.

who we are

Who are we but merely
the sum of things

Nothing more than a passing
dust

Many believe to be
eternal in another form

Among others intangible
love and soul

Are we the unnameable
merely

A force in relation to 
all love     






photo by Y. Schneidt

shall we see each other eventually?

Easy to say since the news, anxiety has been breeding dreams fretting in my sleep. No balm to soothe. I replay, in spite myself, the exchange again and again. I could have done 

better. But why. Did it come across as entirely something else? How to. I think about the steam and the propel. And shall I get to see you again. Shall we meet in a cafe, maybe, by the end of some other year. I always do something else in the meantime. Other news arrive. Such as framed joy on other planes. A deadline. A knock. An impatience. And a distance that will have to be crossed by any means. Since when did I feel running out of time. The idea was to remain. And let time run by itself. They say, "in September." It is only becoming June. The last dream, I was somewhere in Malaysia, surrounded by bamboo beds. There is an image of you, your back towards me, on a kayak. Through the water. On your hands a paddle. And we were heading off to some other shore.                       photo by S. Kho Nervez

Anger

is something i have 
in bursts i try to understand
where it is coming from
some remote place
insisting to remain
unnamed---
is something turned
from inside out---
roger does muay thai
to reciprocate 
violence into the cosmos
a channeling out
of fury
a welcoming of pain
we had a good laugh
about his broken heart
how his body wants
to be broken in turn---
three months he says
honeymoon stage i say---
who has the capacity
to take in 
my negative when it hurls
itself dark and unforgiving
angry