I think about meeting you

I think about meeting you 
in spring when the forsythias are in bloom
and on the twigs of trees are flowers
and the days are lovely,
the nights are cool.
It would be like we are young again
believing there may be worries 
but nothing could stop us from loving.
And then we would extend the hours
into a one long inexhaustible conversation
as though a movie.
As though a movie.

A poem for you

Photo by WV Mozer

Time for rowing 
and fishing.
A bear alone
but not quite 
in the distance.
The sense
of quiet.
Though nothing
truly is.

inside the ribcage

Here, at this time of the year, the sky flatten 
the hours. It becomes almost impossible to tell,
sometimes, the time unless you press your pulse

to know you are still among the living. Here,
where every thing has become so efficient and
then not. The selvedges are ripped, if one cares

to notice. Such small things like the seeing
through an opened window the lovers, now kissing,
have forgotten to close. Most of the time

every one has learned to move with flat-line
hearts that have become so civil, so tirelessly
euphemistic that at times I am beginning to feel

this calamity, incredibly scripted, un-human.

the silk road

Names are always beautiful. As beautiful 
as we can imagine them to be. Framing 
them with the lines of our wants, the unsaid 
and unanswered needs. We tell and we do not
tell; the yearnings are always difficult,

no words come, they balk at the touch.
If I may be direct, how will you respond?
If I tell you I wonder how it will be
to be right across you, the table meant
for two? It is possible.

All these exchanges happening while sharing
a metaphysical table. So it is this, we
have no bodies, no faces, no names; but
how the words flow. Moving and always
in a state of unsettled be-coming.

The silk road can be seen from outside
our window; a candle flickers, you unfold
a table napkin; I search for a word trying
to find an excuse to look at you.
Someone comes close, asks what we'll have
for dinner. 

light

The conversation tonight was about light. How temporal it is. Like body, like breath. Like how two people meet. Living, and then, also, leaving. Both. Always happening at the same time. This mad provision 

we call here, now, what exists, merely passing in time & space, brushing, lingering, lingered, in transit, a longing, through the vastness this presence, phenomenon, is-ness, then gone, to where? from where? extending, to nowhere, elsewhere, liminal, between, nuance, distance, distances, horizon, eternal.
The commonest road has no name. It is a road that is not a road. It is light. That stretches. A beam, a bridge, crossing, reaching us at the selvedges, where we are on the folds of happenstance, wrinkle in space, in time, breathing each other, are you there? am i there? here i am. here you are.

The Act of Remembering

A dangerous thing, this act.
Betrayal to one's own mind who
once decided and precariously
ordered the will to 
severe part of itself, 
preserving most 
of what spirit remains.

And then suddenly this-- 
re-collecting, bringing back
to make as part again
what had been 
intentionally let fall away.

When still young, there was 
so much strength to push
ahead, against the gusts.
To keep forward the head
steady from not looking back.

Perhaps because the road
was still long, the young
eyes still unable to sense
what lies by the by, 
by the bend.

Our immortal's time.

Now here we are. Here I am.
The familiar autumn 
on my back. I try, I try
to push against the gusts.
To keep away from the act,
from surrendering to
remembering. I do not want

to say I am afraid that come
this winter, the bones will,
on their own, remember.











  

body of reason

She does not know Hegel. That beautiful woman
at the screen I speak to, the screen a window
if only possible to get through. What else

does she not know. She does not preoccupy
herself with is-ness of things, abstractions
and smiles at me, my follies. Talks instead

of government politics and the series on TV.
Her work on people, the current music,
the produce market that is newly opened,

transplanting the herbs in the garden, the rain
this monsoon, and sending the dogs for groom.
These things now without me.

Where I am now, the leaves turn. Tonight
it rained on the way home. The phrase remains
no matter what it means.

Love

On better days it is easy to remember
as though never forget
                       love
a clear thing
like the awareness of a lovely day
like this
without that cat across the street
                       black and passing

a matter of time

And does he tell you he will return?
In what words, scattered like rain or
Clumped together like flowers in bouquet,
Predictable as the swinging of a boy
Just small enough for the set, too old
The year after this next. In what words

Does he tell you he will return?

I move through water filled with pansies
And daylight that spills into the night,
People without colour in a language
Familiar yet strange; how do I tell her

I will return?

She waves her hand, says name no month.
There is a garden beside her, constant 
Sunshine above, occasional rains, 
Eternal stars. The dogs lay close to her.
I dream.
Watching the night here remain light.

no water but space

What separates us now is space.
Like air   like blank   like nothingness
Not a void   I think  for it too must have
Some vague directions pointing which way
One must go 

Home for now is a transitionary word
Much like the lengthened stay at airports
I have nearly forgotten how it feels like
The not quite entirely have moved in

What sense is it
The mind always knowing this is not the place
Even though it is where the body is
And will be   for years

I try not to think of her warmth 
Realise it has always been this way--a distance
Metaphorical or otherwise

Here  it is the tail end of summer
At 8 PM the sky remains light
I have not yet looked up the skies at night
Knowing there are no stars

So far away from her

(the things constant) a long goodbye 8

It must be primordial knowledge of this 
Temporal state of being in body, this
Limited form, blood and flesh mere
Vessel of what we truly are--and what are we
(If what is such a definitive, limiting thing)?

Do we hunger, search for constant
Knowing we are fleeting mist?

I tell you I find comfort in the familiar.
Not one who easily warms to change, no matter
All these awareness of primordial states
And all the assurances of all being well

If not now, not yet, 
Later will.

The universe cannot be not good.
For all these wonders to exist. Tangible and
Not. Such as this bridge we cross, vague,
To meet you and I nearly formless in space
Years now, and I hope, years more.

A long goodbye

I have few weeks left before final leave-taking.
These weeks pass in slow motion but pass they do 
Just the same. The list of things to do has 
A certainty in it: the number of banks, the emails, 

The visits to dentist, and barber whom I will see 
Twice more before having to find someone like him
Again in another country (though I doubt it

Someone who already knows, by seeing me, 
Exactly what to do). A poem has been written about 
Having the same barber throughout one's life, 

A kind of faithfulness and understanding of being.
I anticipate on the last visit the appearance 
Shall be the same though I tell him 

To cut as short as possible and he might wonder 
But not ask. The scissors and blade will move
In the same way. The look on the mirror 

And the sound of "thanks", the tip before the door 
The same. Of the list, only the dentist will know 
From the way a tooth submits to certainties.

This sunshine

It will be shy of three months time. 
The day set, traveling the wires
Paper to paper, what fate.

I thought it will be like floating.
While away time on placid waters.
She wakes up in time for office 

Plants a quick kiss, I get up later 
At sunup to walk the dogs, running
To leave what behind, moving towards

What waits ahead in time, in space.

               * 

The world too large, we have only
Such life. The dog who survived
Inner city to become part of home

Offered a rat she wrestled this morning.
Dead on its back at the front door.
What is not allowed to pass.

We picked up a snail making its way
Crossing the road and let it 
At the side by the grass and puddle.

               *

Over here, a butterfly comes to visit
The lemon on the sapling 
We bought at the market three Sundays ago.

Three Sundays from now, a despedida.
What must be, must be done in celebration.
Bring in the wine and the photos

Posterity. No one gets left behind.

                *

She and I recently painted the front door 
Yellow and called the place Sunshine,
What is constant in this country. 

From across

There she is again, the woman with a basketful of mabolo. 
Velvet fruit that must be animal,kitten furry on my hand
Yesterday it looked at me with eyes that meow, meow, meow
Is what the kitten said meow, meow, meow. The woman said

Be careful. Kitten is small and so is the velvet apple
Like puppy head pat, pat, pat. Love, love, love woman said.
She is waving at me now from the other side. I see her
Smile waving her hand. She crosses the water, knee deep

Waist deep, too deep, she says I love you I love you 
I love you and we are on a paper boat
She paddles and says Look! Look at the fish! And I swim
And my skin laughs because it is water, not

So loud, I laugh and laugh and flap about but I don't.
The woman said very good you can do it. I find my hands
Into a circle tracing dots into a heart, Who am I?
The woman asks. She is crossing the waters and there is 

Ripple behind her, there are sounds, there is a car
Brooom, brooom, brooom it is loud and the triangle
On paper is sharp I try to cover it blue, blue, blue
Because it is noisy and loud and sharp and bright

I squint my eyes and see the line and clench my teeth,
Hold the pen, fingers like this, catch a fish, want 
The wide and flail my arms but I don't. The woman said
Very good you can do it I love you I love you I love you.

There she is again, the woman with a basketful of mabolo.
Across the water across the table there are sounds
Something moves at the corners of my eyes, it is breeze.
There are suns on my paper and we are on a boat.

Who am I? she says. She opens her hand and there it is
A mabolo, velvet kitten puppy fish circle dots heart. 





for An

where stars are

Soon, he knows, he will start writing about stars
the sky being a single dome under where they all are.
Not very original, in the same way at one time
someone wrote it is the same sea where they were
wading their feet together merely few hundred miles apart.
He doubts writing about stars would help.
He doubts poetry helps.
Suspicious of words now, finding them out
self-entitled ants proclaiming able to make anything 
better: soul, world, future. Who listens to them, poets?
The heart has finer than fine a multitude of strings

Does poetry even matter against the literal onslaughts
to the body? Real bills, real houselessness, real hunger.
He doubts poetry;
doubts himself, a fool.
But the stars were, are, will still be there. Themselves
mocking the ephemeral fears of his temporal body.

Room

Consider a room with two doors
One facing east the other west
Both meeting at the same 

Room where one meets another
Where there is no Other
Where the floor between is

A border that is not---
A space undefined
A place familiar

the motorcycle broke

and i am ill-tempered
over so many trifles

the many things hungry
constantly entitled 

to attention: annual
registrations monthly

bills daily upkeep
such as the yard

weeds who regularly
misunderstand such as

dust overstaying its
welcome the mouse

i saw in the corner
and the by-hour count

of batteries such as
the watch the mobile

phone is it possible 
to leave and be away?

i have half the mind
tell Gloria i am not

appearing anytime soon
but am sure she will

ask for the numbers
when what will she say

do to keep what at bay
until my return

what will not leave
will wait insensitively

the things to do 
in this world

the motorcycle broke
chapters to translate

manuscript to write
events and weeds

i take the dogs out
for a walk and miss

running

the flock, the flock

I no longer say "Bless me, Father
For I have sinned." I have left
A long time ago. Not anymore
The same child who read the bible
Every afternoon, cover to cover
For the stories of unbelievable
Faith for a beyond admirable man

Or god; in my life there 
Are stories in middle of stories
The ones I do not dare have light
Or air on them--for what use?
They are the silence between
My god and me. 

I have keep my peace with 
Men and women claiming closeness
To god whom they seem to know
Up close: we are entitled to
Our own brand of delusions. But
I do not say this, let them be.
My own is that god and I 

Are this: cosmos letting me be;
My own weakness leading me--
From time to time--to becoming
That same child again who
Has nothing but faith and fear

And faith: all to be good again.

To whom are we writing for

Possibly the sense is the same: all of these--
Us writing on a wall: millennials and those 
Past who scribbled their names on slates 
If only to say "I was here". Or "Joni was here".
Some form of validation knowing our own passing.
Finite, are we not
Deliberate to leave a trace of ourselves here?
Evidence of existence; fossil of memories...

(I have only sung alone in public once:
holding a guitar borrowed from Music Majors;
in the middle of a kiosk, love then had audacity
to call everyone's attention as introduction:
"Hi everyone, listen"--did I say it that way
I can no longer remember--"I have a song for..."
The girl blushed but remained on her seat--
I think now, it was probably out of confusion
or public embarrassment--to endure

Such shameless proclamation. THEN a string 
Strummed SNAPPED.) Who can remember that 
On their own? Recall names, retell the story,
Laugh at appropriate moments in the telling?
It has been years before this: This
Writing on the wall about it.

how would you want to be born

If you were to decide, would you want to be born
into exactly the same way you are now?
There is a correct answer and there is 
a truthful one. The correct answer is

always a Yes for all believed-to-be moral
reasons including resignation to fate.
The more truthful one, far from it. Why
would you choose again exactly the same

circumstance that led you beating your own breast
calling out to a universe that does not answer
why all these senseless pain (war-torn refugees,
hunger, true hunger and true abandonment) while

others worry more wind to sail their yacht?
The young people at the university yesterday
organised themselves and came to the streets 
raised their fists in claims of revolution.

Some of them took their poetry and slammed,
invited me to come and speak (with them).
I could not place a word to what I feel.
Perhaps I have grown too old:

I still want to believe, but