A poem for you

Photo by WV Mozer

Time for rowing 
and fishing.
A bear alone
but not quite 
in the distance.
The sense
of quiet.
Though nothing
truly is.

young man

The list for the grocery would be short.
But walking through the aisles, 
By itself, The List would grow, long and
With wings, maybe, as in poultry.
And promising as in spices, sweet like
Dates in a section closer to wines.
It would be important to impress the girl, 
Nope, not soda or beer or pizza.
Not in that old way of wooing 
That she would be a queen, 
In the kitchen.
The young man would show off he could
Make fire and keep a pot warm,
Apologize as well he's no cook, but
She should stay put on the high chair
And enjoy his attempt to show grandly
What he has trouble saying plain.
And the pretext for her coming over?
Anything but a movie on a small screen,
Anything that would lead to the couch,
Anything that would lead to anywhere else
Except the kitchen.
And seeing him trying not to be a klutz
In an apron with a wooden ladle, she
Would most likely offer to cut the onions.
Between the two of them, someone would 
Banter and another would quip,
And laughter a chorus that would fill.
The fried chicken wings, burnt.
The butternut soup, no salt.
Only the multigrain bread absolved.
He: "We got the dates, though."
She: "And this is some wine."

Do not strain your ears

Something is happening next door. 
Since the young woman with large hair
moved in, there has been cat sounds,
one time even a baby's. The young man
who grows edible mushrooms, dropped by
one afternoon to give home baked
brownies, still warm with
Brownies for everyone. Love Joe 
in red marker. I never got around

thanking him, missed the chance to
when we briefly met. 
I was opening my front door, he was
on his way to "the forest".
The weather forecast said rain.
Who am I to know?
The first sound of fireworks I mistook
for faraway gunshot. Not even 
their festive lights bring me back
to childlike wonders. 

The flowers are still abloom, yes,
but the gusts have come, leaves turning
slowly. I tell myself to return again
to the habit of running or walking
accompanying the self.
The young man next door has taken into
playing New Age music, early evenings
the young woman calls out a name
and a stray cat named Oliver appears.

a matter of time

And does he tell you he will return?
In what words, scattered like rain or
Clumped together like flowers in bouquet,
Predictable as the swinging of a boy
Just small enough for the set, too old
The year after this next. In what words

Does he tell you he will return?

I move through water filled with pansies
And daylight that spills into the night,
People without colour in a language
Familiar yet strange; how do I tell her

I will return?

She waves her hand, says name no month.
There is a garden beside her, constant 
Sunshine above, occasional rains, 
Eternal stars. The dogs lay close to her.
I dream.
Watching the night here remain light.

a close kind of distance

What must one feel seeing you, beautiful
the pictures that mean your life in blossom, by sea.
With you the dogs, sun, yukelele. 
You on bare feet singing with the wind
orange skirt catching orange skies.
What must one feel seeing you, beautiful
in love, in life, in blossom, by sea

when one must say nothing
must say nothing
must say nothing.

life as lived

Posted a photo of the wild ones in the water--the loved dogs
in their eternal summer. The photo is all 
bright and light and shore and water
and too easy laughter,
it does not tell all.

length of a year

the logic is to measure as many things
                  to live the finite life, it's end
                      at the very end certainly known
                            even as certainly unseen.

the body feels it for us, receiving the Quiet. cell
                  by cell as if room by room, coming in
                       door after door in this poor temple 
                            of soul. the young do not hear

yet the Quiet's footsteps echoing in the wind.
                   but come years of footfall after footfall
                        one finally recognises the visitor 
                             has been in all along. the logic is

to measure as many things to forewarn life
                   the finiteness of every moment that needs
                       be lived. sense the silhouette passing
                             minute after minute quantifiable

ultimately by calendar. but how long the length of 
                   a passing year for uncertain waiting?
                       the letter gave no promises, only half
                            affirmative gesture, the word "about"

encompassing. so one continues to move the motor
                    of day-to-day, no certain number
                        except what wind presses on
                            one's cheek, what dogs in gentle

wisdom knows, the way they keep close. in the way
                    one's mind attempts to see an entire
                        year more, the whole turn around sun
                            from now, but sees only part of it.
                            
I rather not have yet the leaving a form, a body, a face 
                    as number of remaining days, of date, hour
                        of plane departure because it is inevitable.
                            I rather at this moment let it remain

a spectre she and I would let in in time, but not yet, 
                    not yet. at the moment, let it stay
                        a welcomed guest at the front door.






                    

the needs we know and not know

So I have spoken with G* and I am to begin the papers
Today; it is much sooner than expected, but just so.
The half of the year next year a blank slate now for a time.
Even when the expected comes, it looms and the heart
Shivers knowing of no certainties. A number of places

At the tip of the tongue the cosmos to decide. It says
Five years. The leap of trust must we do.
Even for the uncertain, there is such a thing as faith.

world moving

1
When we lie down seeing the sky, 
we may as well be standing 
from another angle; the sky is sea foam.
Such ways the world can be

seen, different eyes: punto de vista.

2
The call, sooner than expected, arrived
yesterday; half the request granted.
What it meant we knew from the beginning.
In the beginning, we knew 

different and the same: punto de vista.

when i will meet you

When finally I will meet you, 
I imagine there will be 
nothing to utter and many
distances to cross. 
Each of us a world
too long alone on its own,
making and conversing
with bird shadows on walls.
We will be right across
each other on the table,
wondering how it all
has come to this, singular
moment of meeting.
To begin the real knowing
is to begin the crossing 
from whichever previously
we know as real or unreal.
How will I say the first word.
How will we begin

wonderer

The existential questions do not end. 
I began asking when I was twelve
would I be the same, I asked mum, 

were my name different, 
had I liked things different.
It was summer on way to gran's;
my favourite shirt on: Sydney
because it fit perfect, was light

blue green embossed sea and sky.
And there was hibiscus blooming
the walkway to gran's; when I looked
up the sky was sea the clearest hue.

And I understood that
maybe it didn't matter at all.   




photo J.Yap

Solitude

photo by J. Pinzon

This kind of solitude makes the hours long. 
I take what I can take: a passing thought,
a banana ripe in its own time, a part of a part
of a scene playing out outside the window.

The summer is both long and short.
We check our calendars, look for moments 
to get away: from where, to where
Who knows? It seems

only the plants are truly unconcerned.
Quiet and steady, palms always open
for both light and dark.

The Visit

after St. Francis and the Sow



Francis comes over to visit and there is none of the Spectacle
before and after him, mob frenzy in madness in dance parading
a black crowned man to his death, a dark child with burnt world 
on its hand.  The horde waits for him in patient hunger,
hollow ecstasy.  Father! Father! they call out to him.  

Father! Father!             From a distance

he touches them, oh he touches them
 as he once touched the sow.

What I found

between pages of a book, a torn piece of newspaper
showing a foot on tip toe, perhaps dancing, and
nothing more; the two pages facing each other,
one telling What you need more of in your life, I think,
are some elephants, the other about finding brave.

Be favorable to bold beginnings, said Virgil
Easier said than done.  I'm still wary
from the last beginning.  Nevertheless, I've begun
a vigil: wait for the ally who believes
endings make beginnings necessary,
and who's plenty bold.  Enough not to worry

about how much to give, how much to withhold.
I held my breath and closed the book.




(after Centolella)

The Pacific

I am reading Thomas Centolella         a thin book of quiet         size only slightly larger than my palms         that hold in the same way         many things unsaid between bridges of things mundane         Yesterday         I had new eyeglasses to see more clearly and I bought                 her a ring         feeling not for the first time         Certainty         Arriving home         the little dog sick and a next-day appointment with the vet I hope we will not need         It rained heavily last night         sun shining briefly this morning         sweet         for the local roses someone from the office gave         for the garden I will have more time         next week while everyone else in this Christmas country         I hope to cross a sea         an ocean         with her to an island of migrating flocks         In the meantime there is an ocean's love         a happenstance at the exact same time Thomas Centolella writes The Pacific.



The Pacific



A thought has been rising and falling
in the grayness of the season, 
like a freighter in heavy fog,
appearing and disappearing:
How is it we never tire of dreaming
we can be autonomous as the sea?
Or be among the swimmers
holding their own against the undertow?
And the body surfers encourage us,
the way they submit to the powerful flux
and are buoyant, transported
by what could just as easily destroy them.

I keep thinking of that woman in Godard's
Two Or Three Things I Know About Her.
Real love, she said, leaves us changed afterwards.
What happens after that, she didn't say.
I remember you were grateful, as so many are
given the chance to move on to something better.
Fog lifting, the tide comes voluptuous as a great love,
and tastes bitter, like what comes after.
Stunning turbulence.  Like a brilliant smile
that keeps edging closer, and from which
I edge away.

The Patience of Ordinary Things

The Patience of Ordinary Things
by Pat Schneider

 

It is kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they're supposed to be.
I've been thnking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back
And the lovely repetition of stairs.
And what is more generous than a window?

the quiet of nothing

The time it takes to float on the surface
of things is equivalent to peace.
We do not insert bird for sorrow.
We do not make room for empty.

Sometimes I still dream of receiving
your letter now long gone.  
We have agreed to be quiet.
We have agreed
and distance have agreed with us.

The Kamasutra of Kindness (Position No. 3)

The Kamasutra of Kindness
Position No. 3



It’s easy to love
through a cold spring
when the poles
of the willows
turn green
pollen falls like
a yellow curtain
and the scent of
Paper Whites
clots
the air
but to love for a lifetime
takes talent
you have to mix yourself
with the strange
beauty of someone
else

wake each morning
for 72,000
mornings in
a row so
breathed and
bound and
tangled
that you can hardly
sort out
your arms
and
legs

you have to
find forgiveness
in everything
even ink stains
and broken
cups

you have to be willing to move through
life
together
the way the long
grasses move
in a field
when you careen
blindly toward
the other
side

there’s never going to be anything
straight or predictable
about your path
except the
flattening
and the springing
back

you just go on walking for years
hand in hand
waist deep in the weeds
bent slightly forward
like two question
marks
and all the while it

burns
my dear
it burns beautifully above
you
and goes on
burning
like a relentless
sun




by Mary Mackey

Explaining Summer

On the first day of existence,
the sun chose us. And that was that.

He’s got a street address now
and a delinquent tax record.

Let me explain. I am lying to you
because it is cold where you are.

Cold and far and snow and darkness
and chilly hands. Or maybe not.

But such dichotomies are easier.
And who are you to stop living

multiple lives and occupations
in the snowstorms of my mind?

Teacher and farmer and secret poet.
I need to tell you I don’t love you.

I just need to stop falling in love
with you each time a cool breeze

rushes past the tips of my fingers.
Or revising another novel I will shred

in the hidden office behind my rib cage.
As if my entire body were a mob front.

But isn’t everything a front for something?
How, in my world, cold weather is nothing.

Only a history of you. Remember that talk?
The gulls? The Baskin Robbins in winter?

I said: Anger is almost always shame
in an existential crisis, writing poetry

in a café, shielding its notebook
from each passing stranger.

Oh, I might as well be talking to myself.
Besides, I theorize that you

will only read this in one of a thousand
possible universes. If not here, there.

Or in the warmth of my skull. Imagine that:
One goddamn poem for each world

in which our lives intersected.
Like hairs tangled in sunlight.

What’s not to like? What person
would say no to zipping from body

to body on some madman experiment,
taking notes on the many cuisines

of love, giving each of them names
like they were your children.

“Instead of love, why not sky?
A species of bird? Or the changing

climate of the heart?” I give up.
I am thinking of names now

as a breeze passes and I do not love you.
I am merely enjoying the cold

in the national park of myself.
As if the origin story of something

entirely unimportant were about to begin.
A new sub-breed of sparrows.

An alternative to happiness.
Curtains raising to a new color of sky.

by Gian Lao

beginning at forty

This terrarium is called Night Walk with Mishima.  It has come to this.  Working earth in smaller quantities.  Taking things, perhaps, one pair of morning and night at a time.  The day she turned forty, she had a photo of herself among her terraria.  Face hidden by shadow, dancer's feet poised ready to dance in sunlight.  I am happy she is beginning to be happy.  How it was not so long ago when we met outside the hundreds-year-old wall and she was all in white.  Then, there was nothing else to offer for comfort--not even words--except the blunt presence of a listening warm body for which she could beat her grief on.  The words fled her, the writing, the poetry.  And yet, the art soul survived: in her home-made, hand-beaten memories-in-ice creams that she poured herself into.  This lady is cold, she said.  It has been awhile before it has come to this.  Finally growing gardens in smaller quantities as new beginnings.