Friday, February 28, 2014
talking about truth
for G. Lloren
Thursday on a week that has the weight of years
you leave the office past seven.
Outside, the dark says both
the day is old and the night young.
The crisp breeze blows the leaves a promise.
At the convention last night
everyone wrangled
about the word you summoned
afraid of its presence
in midst of a tagline.
The word was a beast
giant and a phosphorescent green
reptilian and curled,
legged and tailed.
"Too spiritual," someone said.
"Too dragooning," another said.
They all tried to poke it away.
You hail a cab and look for coffee
there are bills to pay.
And you are now past forty.
How the strange beast, last night
was queried by fools.
"Is it sectarian?" someone asked.
"Measurable?" asked another.
"Vendible?"
"And does it fly?"
Labels:
adam,
animals,
brazen,
defamiliarization,
dragons,
graphic illustration,
idea,
labyrinth,
language,
lines,
nuance,
red,
religion,
surrealism,
terrarium,
the body,
truth is burdened,
universe,
weight of words
Monday, February 24, 2014
the sea calls
the sea calls and i wake early hearing
waters making their way to shore
the tangles in bed, the vines of sleep
they cannot keep me
i come down the stairs, out the red door
the pebbled path, the waiting sand
the sea calls and i wake early hearing
my self making its way to shore
Sunday, February 16, 2014
In Blackwater Woods
In Blackwater Woods
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
- Mary Oliver
Labels:
a kind of burning,
beautiful things,
blossoms,
blue,
bridge,
distance,
eve,
fate,
I Learned That Her Name Was Proverb,
lines,
memory,
palimpsest,
rain,
silence,
speaking,
Things of Light,
what is bravery,
women
Friday, February 14, 2014
the displaced
it is difficult to love this country, i thought many times, one afternoon walking through the heat of molten air. but the people are always warm, no matter the odds and flaws. and that is why, maybe, not far away a foreigner has decided to stay. carrying his toddler child, he points at a very clear blue sky and a bird and speaks his German, his child happy with him. an other world fitting itself in.
burning
there must be a reason why, valentine
why
they all share the same
patron
Oh! of lovers
love, epilepsy, and plague!
Labels:
a kind of burning,
animals,
beautiful things,
blue,
brightness,
death,
malachy,
obituary,
shining things,
suicide,
Things of Light,
thoughts about weddings,
treading on eggshells,
what is bravery,
wild berries
the counsel of women
I sat hearing the counsel
of women heads close
together
feeling for the sense of
"right" justice
in the middle of dark
words in the middle of
known procedures
for discipline.
The crime grave
the freshman too young
and remorseful.
How much of heart
must be involved.
The wisdom to know
when the "right" procedures
could be wrong.
stone turning
Stone turning after a year
There
is a theory in stone collecting. Collect
only the ones that tell their stories. Press your ear close
to their heartbeat, close to the bone made heavy by the weight of restraint and the years
to their heartbeat, close to the bone made heavy by the weight of restraint and the years
spent waiting
underneath, underwater. Only the sun and
rain know the way of their travel,
labyrinthine to the surface. Collect only the ones that sigh over their long lost limbs that remain alive,
labyrinthine to the surface. Collect only the ones that sigh over their long lost limbs that remain alive,
fragmented
somewhere else, continents away, to dream just the same. The same dream of origins and
sky. Collect the ones that continue to remember, in a fitful wakefulness possibly as old
sky. Collect the ones that continue to remember, in a fitful wakefulness possibly as old
as stars. How they still carry all shades of light and
dark, blooming a softness sharp on your palm
you can
only mistake it as warmth or pain.
Collect only the ones that call out to you, as if waving
for
rescue; you, a gunwale now, remains of the small boat that used to be your self
in a dream in
dreams many lifetimes ago. Before you, too, were once that very same stone chipped from
dreams many lifetimes ago. Before you, too, were once that very same stone chipped from
the broken
shoulder of a universe, awakened by a tree in a garden by a lake, turned over
and made
part of a fire place, a house, a mausoleum, a cathedral, before finally taken to the edge of land
part of a fire place, a house, a mausoleum, a cathedral, before finally taken to the edge of land
where a
child casted you to the waters, saw you glide and fly
shane
Labels:
a kind of burning,
beautiful things,
blossoms,
constellations,
cosmos,
distance,
eve,
fate,
labyrinth,
leaving,
memory,
Things of Light,
trace,
travel,
unknown place,
what is bravery,
women,
worldview
Friday, February 7, 2014
edit
write drunk with passion, edit sober. how often is this told. to the beginners, this is still something new. when does a stone turn? when does a thing become old from being once new?
and how many times do we have to edit ourselves? revise and revise to make something new. out from the old. consider a lizard shedding skin. an animal from an egg, evolving. everything always
turning gradually into something else. although: sometimes it is not always the new that works. grandmothers say if it's not broken, why fix it? jim said a poem is only really done
once you've given up on it. not a surprise to this day he keeps revising and revising. and he stops sometimes in the middle of conversations to think. no one knows. some may have lost count
after all the revising. simultaneous revisions, all. the young ones tire of hearing the same old. lines. always moving for new. but who is keeping tabs? and does it even matter given
we are a community of forgetful. see how everything repeats itself. yesterday, in a discussion weaving literature and history, do you see a pattern? repetition in different forms. several
editions. all that changes: our positions. places and decks from where we view the stars. see how ursula once wrote a story six different times, in six different versions of worlds existing
as we must do now. under this particular sky. why not write a poem then about rebirth?because haven't we all been told: you and i, stardust. and if there really is a constant amount
of energy in the universe, then at some point of these all, you and i must have had shared the same soul. how we must have drunk ourselves in passion. then we edit ourselves sober.
Labels:
bridge,
distance,
Gemino Abad,
kite flying,
labyrinth,
lines,
literature,
love as something real,
palimpsest,
parallel universe,
poetry,
psyche,
trace,
travel,
universe,
unknown place,
ursula k le guin,
worldview
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