jade

Carve out a hollow into your existence

You will find there is no difference 
between you and the American woman
who touched the Maneki-neko,
unashamed to ask for luck and fortune.

    outside the lonely shell of you car

You will overhear two colored women
tell each other organic food is luxury,
will read an unadorned student's poem
say thirty dollars a month for food.

                         through the steady pace of your feet

You will see the question is never too far, 
it is always here, no matter
the whitewashed porch and the flowers 
blooming quiet as if in peace.

                                       this blooming day of falling leaves

You will touch what is intangible, this
palpable need to fill in the hollowed out.
Not unlike how you felt as a child pouring sea
from cupped hands into the hole in the sand.

More nights ahead

We can put together a hundred or more possibilities,
letting two characters meet, in spite the number
of ways, streets, corners, bars, restaurants, cities.
Did you not once say you will have a hard drink
at the bar at the edge of your sleep? Even though cold,
I have returned to the uncertainty of outdoors now, 
stopping at diners where tired men and tired waitresses
call each other by name. The home fries both nostalgic
and sorry. Something always pulls me back. 

Sometimes I look up and watch flocks of birds, mostly
when flocks of young people pass by. Do they
know how we can devote our entire lives
to a cause truly lost?
How the foolish idealism of our once immortal
sense drove us to where we are now. Here...

And is it wrong to think women like you will always be
less lonely? I have come to deny myself. But 
how it bangs its fists on my door wanting
to be let out, telling me 
I am human, human, human. 
So I try to keep away from the door,
away from the bar at the edge of your sleep.

After, Then

There will be no return, woman. 
No knock on your door, my once beloved.
We both are too weary to attempt 
Any more old familiar dance.
Any better man knows, there really is
No more having back what was lost.
What was lost impossibly scattered now.
Irretrievable. Irredeemable.
All that we have left, you and I
Are the remains. Only another form
Of ashes. Arms wrapped around yourself
Standing by the closed front door. 
I, looking back at you, at the porch, 
The yard, the house, the neighborhood, 
The curb, the life,
From the rearview mirror.

The Act of Remembering

A dangerous thing, this act.
Betrayal to one's own mind who
once decided and precariously
ordered the will to 
severe part of itself, 
preserving most 
of what spirit remains.

And then suddenly this-- 
re-collecting, bringing back
to make as part again
what had been 
intentionally let fall away.

When still young, there was 
so much strength to push
ahead, against the gusts.
To keep forward the head
steady from not looking back.

Perhaps because the road
was still long, the young
eyes still unable to sense
what lies by the by, 
by the bend.

Our immortal's time.

Now here we are. Here I am.
The familiar autumn 
on my back. I try, I try
to push against the gusts.
To keep away from the act,
from surrendering to
remembering. I do not want

to say I am afraid that come
this winter, the bones will,
on their own, remember.











  

born not a woman

Should I be born again, I do not want
To be a woman.
She is capacity of the world and in it.
The weight of the sky
In her eyes

Even when she laughs and she smiles at you
Like you have given her the world,
You'd know you didn't, couldn't.
How she can carry 

Worlds and give birth to them, allowing
To take parts of herself she can
Not ever grow back.
Beside her what is a man

But an illusion of grandeur. Safely
Ignorant in this way, his sound deep 
Like a log hollow
Allowing him through all seasons

To stay afloat, surviving better
Ever on the surface, lacking depth.

the seat, the leaves, the squirrel, the flowers

1
From this distance, a handmade paddle and paddle boat,
the sound of waves to the shore in the early evening
while Venus or a waxing moon appears
is almost an imagined thing.
This is what distance does to a finite weathered body.

2
When I was much younger there was a girl with whom
I had wine with at the rooftop of an apartment.
No moon, not even a folding chair, but a clothesline 
of damp clothes behind us. A concrete step of some sort
and there we were -- while I was seated.

Like in the movies, you know, so I now try every time
to substitute the word to love.

3
Do women used to (always) think of "marry"? 
Do they count people they (once) love?

4
I've had a drink a number of nights with the person
one woman slept with, loved with. It was all very well. 
The entire time I could see them in my mind's eye 
and I wanted violence
I held the clear glass, there was lemon, salt, rocks.
And I wiped off the grin on his face.

5
In my thirties, I thought of "marry".

It meant sitting, chair, porch, dusk or early evening
with a woman I am sharing quiet with.

6
She sends a photo of her green garden.
From where I am, the leaves are falling.
The squirrels are brave. Because they do not hibernate.
Flowers know the number of days even though
no one bothers to ask.

7
There is a back pain. There is 
an invitation to read a poem. I wrote 
a poem about a body. A body. A body.

Preface

If you were to devote only one time to read 
a piece of Hegel's, take the Preface: it may be
the actual body of what he may have meant: how 
always it appears in the beginning of any book
yet, not the first thing to be written.
What he found 
was a horizon where conflicts settle themselves 
to remain settled as conflicts. A horizon 
we keep moving towards, in spite ourselves, 
we cannot ever reach. He died, the book 
unfinished. Might as well be.