Friday, October 7, 2016
the seat, the leaves, the squirrel, the flowers
1
From this distance, a handmade paddle and paddle boat,
the sound of waves to the shore in the early evening
while Venus or a waxing moon appears
is almost an imagined thing.
This is what distance does to a finite weathered body.
2
When I was much younger there was a girl with whom
I had wine with at the rooftop of an apartment.
No moon, not even a folding chair, but a clothesline
of damp clothes behind us. A concrete step of some sort
and there we were -- while I was seated.
Like in the movies, you know, so I now try every time
to substitute the word to love.
3
Do women used to (always) think of "marry"?
Do they count people they (once) love?
4
I've had a drink a number of nights with the person
one woman slept with, loved with. It was all very well.
The entire time I could see them in my mind's eye
and I wanted violence
I held the clear glass, there was lemon, salt, rocks.
And I wiped off the grin on his face.
5
In my thirties, I thought of "marry".
It meant sitting, chair, porch, dusk or early evening
with a woman I am sharing quiet with.
6
She sends a photo of her green garden.
From where I am, the leaves are falling.
The squirrels are brave. Because they do not hibernate.
Flowers know the number of days even though
no one bothers to ask.
7
There is a back pain. There is
an invitation to read a poem. I wrote
a poem about a body. A body. A body.
Labels:
adam,
eve,
memory,
the body,
the eidetic,
the garden,
weight of words,
women
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