The long while

The long while has much silence as words.
A married woman arrives on the front door.
She holds a picnic basket.
She has eyes that say 
"Do not ask anymore, I am here."

And all the long while I wonder
What prompts a man to open a door, 
Let her come in. 
Or yet, closes the door behind him
As he joins her elsewhere.

i started a joke

I should be a little too old for this.
But

in the mornings I still have my tea,
the toast, slices of a piece or two
of fruit

as though nothing has changed.
The weather 
has been kind of late, two days now.

It tells me to come for a run or what
may resemble like it.
I try not to think of a woman 

filling my recent days, with whom
words are exchanged
like gifts.

To each other as though we are young
again, somehow. In a way.
I am a little too old and she is 

a little older than I am; but also, 
married. Isn't it quite an old joke?

woman with the sun behind her

How could your photos be so
beautiful your life
an entire summer

There must be no worries
they do not exist
they touch you not

There you are at play with
dog at the shore
one sunset

Your laughter and your memory
of it as well as my envy
will last very very long

Love

On better days it is easy to remember
as though never forget
                       love
a clear thing
like the awareness of a lovely day
like this
without that cat across the street
                       black and passing

no water but space

What separates us now is space.
Like air   like blank   like nothingness
Not a void   I think  for it too must have
Some vague directions pointing which way
One must go 

Home for now is a transitionary word
Much like the lengthened stay at airports
I have nearly forgotten how it feels like
The not quite entirely have moved in

What sense is it
The mind always knowing this is not the place
Even though it is where the body is
And will be   for years

I try not to think of her warmth 
Realise it has always been this way--a distance
Metaphorical or otherwise

Here  it is the tail end of summer
At 8 PM the sky remains light
I have not yet looked up the skies at night
Knowing there are no stars

So far away from her

(ants in this world) a long goodbye 9

I can count now on one hand
The number of days left on this little island
Of sweets. Days the colour of turmeric.
(It rains just now, wet monsoon has come)

This is a place of hope, no matter
What its people say. More than half its year
The bamboo chimes hanging on my front door
Sounds of water. The shore half hour away.

When the breeze blows on your beloved's hair
And when you see grown men and women
Come out at downpour, play with their children,
You will know why 

Tired white men find their way here
To rest at last from the world at large.
But I leave. By the cosmos' grace, I leave.
(An ant's work what we do. So little
         
To add to so much more.)
And two days before I leave, I shall ferry
Visit a spider woman in these islands, 
Who wrote poetry of memory, being, becoming

It shall be a moment in her herbs garden
Where there will be no promise
Only a doing by understanding
This so much work, this so much work

More than an entire ant's life can do. 

(ants in this world) a long goodbye 9

I can count now on one hand
The number of days left on this little island
Of sweets. Days the colour of turmeric.
(It rains just now, wet monsoon has come)

This is a place of hope, no matter
What its people say. More than half its year
The bamboo chimes hanging on my front door
Sounds of water. The shore half hour away.

When the breeze blows on your beloved's hair
And when you see grown men and women
Come out at downpour, play with their children,
You will know why 

Tired white men find their way here
To rest at last from the world at large.
But I leave. With the cosmos' grace, I leave.
(An ant's work what we do. So little
         
To add to so much more.)
And two days before I leave, I shall ferry
Visit a spider woman in these islands, 
Who wrote poetry of memory, being, becoming

It shall be a moment in her herbs garden
Where there will be no promise
Only a doing by understanding
This so much work, this so much work

More than an entire ant's life can do. 

a long goodbye 2

Are we not merely a passing?
A mere body of memory
That dissolves inevitably
Into traces? Even the earth 
That keeps us in its bosom

Means to erase us, compost
Of nothing significantly
Important, if only for a moment
There in that briefest
Brief encounter: soul meeting

In timid attempt at love,
Immortality, that kind of song
Praising our own slow passing.
We have given it a name:

Life. Love. Living. Song.
Poetry. Your name. Mine.
Others we know of. All of us
Mere passing, remembering
Each other in hopes of staying.

And what about at the sacristy

Grandmother, when I was so much younger, brought me
To the sacristy. It was my birthday. A man was there.
He was wearing a gown, wearing a smile, and smelled
Of something else. I was supposed to ask for blessing
Only he was able to give, or so said Grandmother.
This was another lifetime ago, of course, although

I still do remember the door. And the wall. The shape
Of what was dark and deeply engraved on sides of pews.
Grandmother smelling of talc and old lipstick,
The old man with his voice thick as torso.
The noviciate I whispered with one night of songs
Who stepped back into the shadows in fear when told.

The bible has long been unread. The child on afternoons
Reading verses long gone. Still, these days I continue 
To refer what it is: poetry: the word turning flesh.
The old man who was called Father was a stranger.
Grandmother has stories I will never come to know.
I heard a bell outside the sacristy

And with the door I had come into behind me, the man
Turned his back towards a blind corner in the room
And disappeared. There is always another door.

Rodovia

Portia passed away yesterday. Word reached me late, 
translating itself from Portuguese to English, 
from the last photo I saw of her (Atlanta, smiling 
beside another colleague on sabbatical leave)
to the photo found after having made my way across

morning coffee, rain (another storm is coming
to these islands), and jazz.
On the news, only a broken motorcycle on highway
only a trace, previous presence. No Portia.

Had I been at the office yesterday I would have had
company to share loss with: this kind 
of irreplaceable space occupied by her joy.
Her youthfulness at 67.

She would have had a temper for mentioning the number--
the only way to cause her age. But such a life! 
Of indefatigable joy.

because we'll never know the rest of the way

i wonder how it will be meeting you again
the world is not that large
it is small enough

chances are

we might come across each other again
i know i wouldn't know
what to make of it

chances are

you will appear indifferent exactly the way
versions of you did in
survival stories

something over

the many other lovers left in your wake
because i wasn't blind all along
because neither of us were blind

we knew all along, it was over
chances are

we knew all along, it would be over
chances are

we knew we wouldn't be over.

because a young artist wrote about and i remember you at dusk at sea with dogs

1
Young men leapt over bonfires
while beginning

2
                           artists pass naked for art.
                           There is a difference

3
in the quiet of solace
against empty.

4
I saw a vision of rain forest
green and leaves wet

5
                            falling back from heights
                            spent finally 
                           
6
on the sheets. You on top
head on my chest.

7
Young girls in this country dream snow
as in any other beginning

8
                            except perhaps when told
                            about such cold, such cold.

9
I spent time in quiet
un-counting moments

                            before the leaving. This warm
                            country of people, sun and storm.








                            
               

life as lived

Posted a photo of the wild ones in the water--the loved dogs
in their eternal summer. The photo is all 
bright and light and shore and water
and too easy laughter,
it does not tell all.

after the party is better

After the party is better
at night when only empty glasses
remain crowding together
on tables being cleared

There, a few careless stains 
on tablecloths for what spilled
and broke of so much cheer

The band is done
all dancing, too, as guests 
gone
memory of a good night:

waiters making sounds
stacking plates etc. minutes.
They too, very soon gone.

How much conversation
is left, is to go on--is how much 
night we have left.

I think I will prefer now
after a brunch party

Still sunny, we still
can have rest of the day 
together yet. 
                  

                                     photo by A. Schneidt

If You Hire a Poet to Draw a Map

He will take liberties with the land. He’ll unwind rivers that
offend him. He’ll move mountain ranges that get in his way. He’ll
expand the coastline to make room for more otters and seals. He’ll
slide the equator a dozen degrees north so the winters won’t be
quite so harsh. He’ll rename major cities after the lovers of his
past. On the east coast there’s Penelope, so plump and polluted.
And Melinda in the west, awash in fragrant flowers. He’s likely to
add a few states. Some as small as a cafe. Others span great swaths
of the open sea. He’ll sketch in highways where it pleases him. The
black ones are designed for families and grandmothers traveling
alone. The green and orange roads are not for novices. They twist
and turn. Go underground for miles. Pass right over lakes. Then
the asphalt ends. You get out of your car. A farmer greets you by a
fence. He hands you a carrot. You ask the obvious question. And
he replies, Yes. This is the end of the orange road.

—David Shumate

taking a world on the shoulder

What we had was time and an excess of courage.
Immortals dreaming of endlessness
What to do with the beyond imaginable: True
Love and sunsets of halfway around the world.
Was it as clear as your toes underwater
Crystal sea on a blue tropical Sunday? What
To be.  How.
A little child squeals, the mother surprises with
Delights: look an ant on sand carrying a world on its shoulder
Look the endless tireless march to the beyond
All of them certain of tomorrow and afraid.
What happened between the dreaming and the coming
True?  Incremental losses
Of time and faith and courage: all necessary
All inevitable.
So that the mother looks at the child now and remembers
feeling the known unnameable.
     

beginning at forty

This terrarium is called Night Walk with Mishima.  It has come to this.  Working earth in smaller quantities.  Taking things, perhaps, one pair of morning and night at a time.  The day she turned forty, she had a photo of herself among her terraria.  Face hidden by shadow, dancer's feet poised ready to dance in sunlight.  I am happy she is beginning to be happy.  How it was not so long ago when we met outside the hundreds-year-old wall and she was all in white.  Then, there was nothing else to offer for comfort--not even words--except the blunt presence of a listening warm body for which she could beat her grief on.  The words fled her, the writing, the poetry.  And yet, the art soul survived: in her home-made, hand-beaten memories-in-ice creams that she poured herself into.  This lady is cold, she said.  It has been awhile before it has come to this.  Finally growing gardens in smaller quantities as new beginnings.

on mystic writing

I.

another detail i recall:  her side of the bed is
side-by-side with a patch of leaves of grass.

this is another house.  not the same one
that had appeared in too many dreams, 

like a puzzle.


II. 

roger, the mystic says, do i not keep
a journal of dreams.  no, i say, no.

we are surrounded by dark green walls
in the middle of a steak house. it is noon.

how did the conversation move to dreams?
i tell him of the house that appears

recurring in my dreams, now for years.


III.

this house, stands at the edge of a land, looks
at a body of water. on its feet a lake, bay, or beach.

right of the house, a cliff.  where on one dream, 
i was standing on when i saw the house.

left, pebbly driveway where i manoeuvred 
my motorbike on another dream.

the driveway, next to a boundary wall.  
the driveway aligned to a small bamboo cottage

by the lip of the water.  in one dream, 
i was in a group beach picnic when i looked up

and saw the house is whitewashed wood.
with a large glass window on its forehead.

european design, but the location 
philippine. "two-storey?" roger asks.  

"yes," i say,
"and with a balcony up front."

he laughs.


IV.

it exists, he says.  
after the description in detail.
european house, by a lake in bukidnon.
cliffs, yes, driveway too.
and the short rocky, pebbly slope
to the lip of the water.
right, even the cottage.
an artists' retreat.
housed at one time, a poet.
in another, a painter.
heavy furniture imported 
all the way from germany.
constructed in 2011.
been there.
with g* and p*, he says. 
we took photos.  beautiful place.
even though
the house is hostile.


V.

i began dreaming of the house, 
2009.
in all the dreams, the sky
always in shades of gray.
the last time
i dreaded
seeing it.


VII.

didn't you mention about going on a writing retreat this summer?

white

the mornings are white.  and i try to shake off the remains from last night.  difficult when even sleep cannot make the forgetting.  when the waking is by a dream where i was calling in a makeshift

bedroom in a makeshift house.  the entire scene breezy noon, blaring bright.  the bare walls, raw plywood.  and plastered, bond paper size cut-out pictures of newspaper comic strip cartoons. the likes of peanuts. also a 1980s rock and roll star with a large nose. the pictures appeared random.  but 

possibly not, they all have clearly drawn noses.  in the dream i was showing someone the room.  and disturbed by the sight of the pictures, i called for her, i called aloud and i wake up in 

a morning white.  the curtains drawn, the room light with tempered sunlight.  i find myself in bed alone.

encountering a deer

have you ever placed your hand on a breathing body of a deer on an otherwise perfect path, broken only by the sight of its beautiful body that should have been running away from you, but there instead, lying warm and heavily breathing its lasts?  it is a beautiful creature, the deer, a gentle untamed-ness reminiscent of cool breeze on a night when there are no stars and a version of your self holds the hand of someone dear--no, not a lover yet--while the both of you find your way in the fallen woods through the forbidden part of camp. a brook can be heard from somewhere and a new moon promising.  the deer has eyes like pools that when you closely look you can only closely look at yourself.  what drives men to cut their heads and adorn walls with their decapitated gentleness?  how the deer's antlers remind you of roses' thorns trying to protect itself, in good faith.  when the heartbeat under your palm slows down into a gradual stop, the woods would feel darker.  there would be no birds.  and sometimes no matter the brook, the new moon, the perfect path, the someone dear close to you, the world becomes a colder, less gentle place on your way back to camp.